[1] Rosemarie Trockel "Less Sauvage than Others" Sculpture Project Munster Aaseeufer Lake, 2007 (art net image)
[2] "Gewohnheitstier 5 (creature of habit)", 1996, bronze 90x120x16cm
Rubix Cubes of video, leaves, and yarn
The well-oiled creature of habit may view Rosemarie Trockel's work as simply the white cube industrial process of political, psychological, and sexually gendered narratives, but serendipity is in the joy of the twisted, color-pixelations of her multi-faceted Rubix Cube.
The Garden Problem
My own twists and turns lead me to her work by way of the viewer's activity, and how we may develop critical positions of our consumptive environment depending on the grids of natural, woven existence. Whether they be the perspective of the exploding cookie cutter house, the reconfigured white or black box, or the industrial, digitized loom. We (the audience) are participating from the confined corners of our roles- whether gendered, disaffected passersby, hedge-trimmers/stone masons of our built landscape, hair models, or fashion slaves to the mundane. Our exhausted exuberance is mediated by the return to (the) work of watching.
What is our current state of Mind?
If, according to Christine Ross [3], we (culture) are emerging from a sleep-altered state of depression from the turn of the late teens (late 20th ac.e.) into our early twenties (00's) [4,5], have we now awakened to a melancholic resistance that will oust us from our tweed comforters, or will we explode into a frantic, emotional insurrection beyond the tenacious mundane? How can an activated viewer reclaim the repetitive industrial political loom for our own formal living or organized aesthetic protest? Perhaps by breaking apart the toy and figuring out how it turns.
[3] Christine Ross "Vision and Insufficiency at the Turn of the Millennium: Rosemarie Trockel's Distracted Eye" October, Spring 2001
[4] Rosemarie Trockel (film still from Sleepingpill) "Eye, Sleepingpill, Kinderspielplatz" 1999 Venice Biennale Installation
[5] Thomas Schmitt film still on Rosemarie Trockel's 2000 video "I Don't Kehr"